The Sandman Reread: Dream Country
Tor continues their reread of Neil Gaiman's Sandman series with Dream Country:
Gaiman uses the story to, of course, reflect on the act of storytelling—as he does throughout Sandman—but it’s no celebration of the commercial aspects of the trade. These are desperate writers in this story—Madoc mostly, though we get the clear sense that Erasmus Fry was then what Madoc is now—and there’s nothing wonderful about their work. It comes from somewhere else, not the intangible ether, but from the sordid and terrible abuse of another soul. And Morpheus, sympathetic to suffering and imprisonment, not only frees Calliope (who he shares a past relationship with, and not a pleasant one according to their conversation), but punishes Madoc in vengeful, ironic fashion: he gives the writer an overflow of ideas, more than he can handle. Madoc goes insane, story concepts flowing out of him in a mad fervor…then he ends up with “no idea at all.”
Full Story: HEREThe real horror behind this story seems evident: for a writer, someone who lives off storytelling, it’s not the lack of ideas that’s most frightening. It’s the extremes to which the writer will go, the inhumanity he will sink to, so that the ideas may continue to flow.